Volume 47, numéro 1, 2022
Sommaire (16 articles)
Articles
-
Reading Poetry and Its Paratexts for Evidence of Fair Dealing
-
Finding a Place for the Subject: Rethinking Place in Early to Modern Canadian Criticism
-
Trauma and the Ethics of Literary Culture in the Time of Pandemic: Emily St. John Mandel’s Station Eleven and Saleema Nawaz’s Songs for the End of the World
-
Becoming Fish: Settler Deeds, Salmon Resistance, and Multi-Species Accords in Gail Anderson-Dargatz’s The Spawning Grounds
-
Telling Tales: The True Story of The Handmaid’s Tale
-
The Sound of a Silenced Letter: Souvankham Thammavongsa and the Kinetic Archive
-
“But How, How to Exist and Not to Belong?”: Hybridity and Trauma in Rawi Hage’s Cockroach
-
The Work of Reading Sachiko Murakami’s Rebuild: Situating Community-Engaged Learning in the Classroom
-
Richesse et pauvreté des portraits de Seth en postures de fan
-
Anna Minerva Henderson’s Citadel and Gloria Ann Wesley’s To My Someday Child: A Close Reading of Two Maritime Voices
-
Habiter le territoire exproprié de Kouchibouguac : étude géopoétique d’Infini de Jean Babineau
-
Scottishness, Humour, and the Aesthetics of Settler Colonialism in Thomas Chandler Haliburton’s The Clockmaker
-
Penser les relations éthiques dans et avec la littérature des pensionnats : réflexions autour du roman Le vent en parle encore de Michel Jean
-
Hugh MacLennan and the Two Solitudes of Hockey
-
Vincent Brault — un auteur québécois à découvrir
