Canadian University Music Review

Volume 17, Number 1, 1996

Table of contents (18 articles)

  1. Stratégies citationnelles dans Die Soldaten de Bernd Alois Zimmermann
  2. Post-World War II Rhythm and Blues: Jump Blues, Club Blues, and Roy Brown
  3. Octatonicism and Chromatic Harmony
  4. Some Motets in Honour of St Joseph in the Archives of the Ursulines of Québec
  5. Olivier Messiaen et le Québec : une présence et une influence déterminante sur la création musicale de l’après-guerre

Book Reviews  / Comptes rendus

  1. Michael Thomas Roeder. A History of the Concerto. Portland, Oregon: Amadeus Press, 1994. 480 pp. ISBN 0-931340-61-6 (hardcover)
  2. Raymond Warren. Opera Workshop: Studies in Understanding and Interpretation. Aldershot, Hampshire: Scolar Press, 1995. x, 279 pp. ISBN 0-85967- 970-5 (hardcover)
  3. Heinrich Schenker, The Masterwork in Music, Volume I (1925). Edited by William Drabkin, translated by Ian Bent, William Drabkin, Richard Kramer, John Rothgeb, Hedi Siegel. Cambridge Studies in Music Theory and Analysis, vol. 5 (Ian Bent, General Editor). Cambridge: Cambridge University Press, 1994. xviii, 129 pp. ISBN 0-521-45541-3 (hardcover). Originally published in Munich, Vienna, and Berlin as Der Meisterwerk in der Musik by Drei Masken Verlag, 1925. Reprinted as three volumes in one by Hildesheim: Georg Olms Verlag, 1974
  4. Martin Adams. Henry Purcell: The Origins and Development of His Musical Style. Cambridge: Cambridge University Press, 1995. xii, 388 pp. ISBN 0-521-43159-x (hardcover)
  5. Rüdiger Pfeiffer. Johann Friedrich Fasch (1688-1758): Leben und Werk. Heinrichshofen Bücher. Wilhelmshaven: Noetzel, 1994. 193 pp. ISBN 3- 7959-0613-X (hardcover) / Raymond Dittrich. Die Messen Johann Friedrich Faschs (1688-1758). Frankfurt am Main: Lang, 1992. Europäische Hochschulschriften, series 36, vol. 84. 2 vols. 480, 232 pp. ISBN 3-631-45273-X (softcover). [Ph.D. diss., University of Hamburg, 1992.]
  6. Thomas, Christensen. Rameau and Musical Thought in the Enlightenment Cambridge Studies in Music Theory and Analysis, no. 4. Cambridge: University Press, 1993. xviii, 327 pp. ISBN 0-521-42040-7 (hardcover)
  7. Daniel Melamed. J.S. Bach and the German Motet Cambridge University Press, 1995. xvi, 229 pp. ISBN 0-521-41864-X (hardcover) / Russell Stinson, ed. Bach Perspectives I Lincoln: University of Nebraska Press, 1995. xii, 226 pp. ISBN 0-8032-1042-6 (hardcover)
  8. Stewart Pollens. The Early Pianoforte, Cambridge Musical Texts and Monographs. Cambridge: Cambridge University Press, 1995. xx, 297 pp. ISBN 0-521-1725-5 (hardcover)
  9. John Rink and Jim Samson, eds. Chopin Studies 2. Cambridge: Cambridge University Press, 1994. x, 253 pp. ISBN 0-521-41647-7 (hardcover)
  10. Percy Young. Elgar, Newman and The Dream of Gerontius: In The Tradition of English Catholicism. Aldershot, Hampshire: Scolar Press, 1995. 162 pp. ISBN 0-85967-877-6 (hardcover) / Stewart R. Craggs. Edward Elgar: A Source Book. Aldershot, Hampshire: Scolar Press, 1995. 188 pp. ISBN 0-85967-920-9 (hardcover)
  11. Camille Saint-Saëns et Gabriel Fauré, Correspondance (1862-1920). Réunie et présentée par Jean-Michel Nectoux. 3e éd. Publications de la Société française de musicologie, 2e série, tome 13. Paris : Éditions Klincksieck, 1994. 163 p. ISBN 2-252-02944-7; 2-85357-004-5 / Francis Poulenc, Correspondance (1910-1963). Réunie, choisie, présentée et annotée par Myriam Chimènes. Paris : Fayard, 1994. 1128 p. ISBN 2-213- 03020-0 / Emmanuel Chabrier, Correspondance. Réunie et présentée par Roger Delage et Frans Durif avec la collaboration de Thierry Bodin. Domaine musicologique, n° 16. Paris : Klincksieck, 1994. 1262 p. ISBN 2-252-02966-8

Record Reviews  / Comptes rendus de disques

  1. Canadian Tenors on the Rise / Ben Heppner, Great Tenor Arias: Ben Heppner, tenor, with the Munich Radio Orchestra and the chorus of the Bavarian Radio conducted by Roberto Abbado (BMG/RCA 09026-62504-2) / Ben Heppner Sings Richard Strauss: Ben Heppner, tenor, with the Toronto Symphony Orchestra conducted by Andrew Davis (CBC Records SMCD 5142) / French and Italian Arias / Arias françaises et italiennes: Richard Margison, tenor, with the Canadian Opera Company Orchestra conducted by Richard Bradshaw (CBC Records SMCD 5158)
  1. Contributors / Collaborateurs