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Histoire et théorie des arts, des lettres et des techniques
History and Theory of the Arts, Literature and Technologies

Number 33, Spring 2019 restituer (le temps) rendering (time) Guest-edited by Vincent Bouchard and Ira Wagman

Table of contents (14 articles)

  1. Liminaire
  2. Introduction. Rendering (Time)


  1. Temporaliser la photographie : Marker, Varda, Wenders–Salgado
  2. Anarchival Images: The Labour of Chronic Collage
  3. Du document aux flux : sites et temporalité(s) de quelques oeuvres d’art
  4. Film-théâtre, intermédialité et nouveaux enjeux esthétiques
  5. Mémoire et affect dans les recontextualisations multimédiatiques de chansons populaires : autour de Fortunate Son de Creedence Clearwater Revival (CCR) (1969)
  6. Volume-Image: The Future as Memory in Thierry Kuntzel’s Video Installation The Waves (2003)

Recherche-création / Research Creation

  1. Making Memories: Time and Responsibility in Intermedial Metatheatre

Dossier — Essais on William Basinski / Essays on William Basinski

  1. (De)compositions: Time and Technology in William Basinski’s The Disintegration Loops (2002)
  2. Repetition, Feedback, and Temporality in Two Compositions by William Basinski

Artiste invité / Guest Artist

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