Newfoundland Studies

Volume 22, Number 1, Spring 2007

Table of contents (20 articles)

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  1. Introduction:: Music in Newfoundland and Labrador
  2. Imagining Nation:: Music and Identity in Pre-Confederation Newfoundland
  3. Gone to the Mainland and Back Home Again:: A Critical Approach to Region, Politics, and Identity in Contemporary Newfoundland Song
  4. "She’s Like the Swallow":: Folksong as Cultural Icon
  5. Kenneth Peacock’s Contribution to Gerald S. Doyle’s Old-Time Songs of Newfoundland (1955)
  6. Crooked as the Road to Branch:: Asymmetry in Newfoundland Dance Music
  7. Don Randell:: Mistaken Fiddling Dichotomies
  8. Fiddling with Technology:: The Effect of Media on Newfoundland Traditional Musicians
  9. "I Am VOWR":: Living Radio in Newfoundland
  10. Santu’s Song
  11. Cultural Revitalization and Mi’kmaq Music-Making:: Three Newfoundland Drum Groups
  12. A Chronological List of Recent Choral CDs by Choirs of Newfoundland
  13. Found in Translation:: The Inuit Voice in Moravian Music
  14. Hip-hop on the East Side:: A Multi-sited Ethnography of Breakdancing and Rap Music from St. John’s and Grand Falls, Newfoundland
  15. Fandom as Magical Practice:: Great Big Sea, Stockwell Day, and Spoiled Identity
  16. Rockin’ the Rock:: The Newfoundland Folk/Pop "Revolution"
  17. The Life and Afterlife of a Folksong Collection:: The Labrador Songbook Experience


  1. Reviews:: Music
  2. Reviews:: Poetry


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