Studies in Canadian Literature / Études en littérature canadienne

Volume 38, Number 1, 2013

Table of contents (18 articles)

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Front Matter

  1. Front Matter
  2. Farewell Editorial


  1. Politicizing Difference: Performing (Post)Colonial Historiography in Le Théâtre de Neptune en la Nouvelle-France and Sinking Neptune
  2. The Bird of Passage and the Petit Panthéon: Frances Brooke, Philippe Aubert de Gaspé fils, and Where to Begin a National Literature
  3. “Off to one side of the curve”: Perpetual Expedition and Regional Identity in M. Wylie Blanchet’s The Curve of Time
  4. « Traduire à l’oreille » : vers une poétique de la « musicaméricanité » chez Michel Tremblay
  5. For Play and Gaming: Robert Kroetsch’s Ongoing Godgame
  6. “A Half-Understood Massiveness”: Revisiting John Newlove’s “The Pride”
  7. Turning Round About: The Use of Nursery Rhyme in Daphne Marlatt’s Ana Historic
  8. A Family of Migrant Workers: Region and the Rise of Neoliberalism in the Fiction of Alistair MacLeod
  9. "One thing can look like another": The Aesthetics and Performance of Trauma in Ann-Marie MacDonald's Fall on Your Knees
  10. Tradition, Modernity, and the Enmeshing of Home and Away: The Shipping News and Proulx’s 1990s Newfoundland
  11. À la découverte de l’Occident : le discours inuit sur le Sud dans les œuvres de Minnie Aodla Freeman et de Zebedee Nungak
  12. “Magic Moments”: Temporal Modelling and the Call for Responsibility in Lee Maracle’s Daughters are Forever
  13. Death, Animals, and Ethics in David Bergen’s The Time in Between
  14. “Excursions into the Sublime”: A Personal Reminiscence of Carol Shields


Back Matter

  1. Back Matter

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