Documents found

  1. 301.

    Chamberland, Roger

    C'est l'heure où les anges vont fuir les néons

    Article published in Québec français (cultural, collection Érudit)

    Issue 84, 1992

    Digital publication year: 2010

  2. 302.

    Bégin, Denis

    À propos du livre La chanson québécoise

    Review published in Urgences (scholarly, collection Érudit)

    Issue 20, 1988

    Digital publication year: 2004

  3. 303.

    Lelièvre, Denys

    Gilles Vigneault : la musique des mots

    Article published in Nuit blanche, magazine littéraire (cultural, collection Érudit)

    Issue 154, 2019

    Digital publication year: 2019

    More information

    Keywords: Renaud Longchamps

  4. 304.

    Savoie, Roger

    Chansons

    Article published in Liberté (cultural, collection Érudit)

    Volume 11, Issue 5, 1969

    Digital publication year: 2010

  5. 305.

    Savard, Louis-Martin

    Joseph-Thomas LeBlanc, correspondant acadien de Marius Barbeau

    Article published in Rabaska (scholarly, collection Érudit)

    Volume 13, 2015

    Digital publication year: 2015

  6. 306.

    Deslauriers, Kim

    Vivre l'oral réflexif par un projet d'écoute, deuxième partie

    Article published in Québec français (cultural, collection Érudit)

    Issue 150, 2008

    Digital publication year: 2010

  7. 307.

    Blouin, Louise

    Du romantisme au crayon feutre

    Article published in Urgences (scholarly, collection Érudit)

    Issue 26, 1989

    Digital publication year: 2004

  8. 308.

    Ouellet, Michèle

    La génération numérique : entre tradition et modernité

    Article published in Magazine Gaspésie (cultural, collection Érudit)

    Volume 51, Issue 2, 2014

    Digital publication year: 2014

  9. 309.

    Collot, Michel

    La Mémoire en chantant : subversion des frontières de mots et de phrases dans les textes de chansons

    Article published in Études littéraires (scholarly, collection Érudit)

    Volume 27, Issue 3, 1995

    Digital publication year: 2005

    More information

    After reflecting on the particular modes of reception and memorization of song lyrics, this article poses the question : can lyrics be analysed in terms other than those dictated by logic, syntax and language ? One approach that suggests itself has to do with the interference between verbal phrase and musical phrase : the manifold distortions that rhythm and melody introduce into the scansion and intonation of the utterance. The author then proceeds to examine Georges Brassens's systematic exploitation of these distortions in one of his songs, « le Vin ». The article concludes with the description of certain parallels between this practice and certain characteristics of the poetical message and unconscious discourse.

  10. 310.

    Malavoy, Tristan, Gasse, Michel-Olivier, Abdelmoumen, Mélikah, Gaële, Harnois, Jonathan, Bussières, David, Sainte-Marie, Chloé, Poitras, Marie Hélène, Jean, Michel, Salgado, Jenny and Jetté, Élise

    La chanson au Québec

    Article published in Lettres québécoises (cultural, collection Érudit)

    Issue 192, 2024

    Digital publication year: 2024