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571.More information
In order to contextualize our article « Le dessin e(s)t l’œuvre : Collections dessins et œuvres plastiques de la Cinémathèque française » published in this issue, we have conducted interviews with two participants, hoping to highlight the relationship between painting and cinema. They have had an opposite background - Florence Miailhe, as a painter who became a film director of "animated painting"; Solweig von Kleist as a film director who then turned to pluridisciplinary arts and experimental animation. These dialogues are a testimony to Cinémathèque française's desire to integrate in its collection elements that are between the arts.
Keywords: painting animation, peinture animée, animation, cinéma d’animation, special collections, non-film, creative process, processus créatif, live animation performance, live animation performance, engraving on film, gravure sur pellicule
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573.More information
In this article, we present an argumentative analysis of Galeazzo Flavio Capra’s Della Eccelenza e dignità della donna (1525), one of the least studied Renaissance treatises of the “Querelle des Femmes”. The author, who was educated at the court of the Duchy of Milan, distinguished himself among the notable humanists of his time thanks to his position as secretary to Francesco II Sforza. Capra wrote his text in vernacular prose, reworking classical models and proposing a reinterpretation of Petrarch, Boccacio, and other contemporary writers. This study aims to show the originality of Capra’s work in the face of traditional cultural and literary values which he managed to turn in favour of sixteenth-century women.
Keywords: Rhétorique de la Renaissance, Rhetoric of the Renaissance, Le corps des femmes, Women body, Querelle des femmes, Querelle des femmes, Cornelius Agrippa, Cornelius Agrippa, Rodríguez del Padrón, Rodríguez del Padrón
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Moving towards the end of the twentieth century, relations between Canada and Europe are not exempt of changes which concern practically all of the issues and contain a number of risks that can potentially provoke or aggravate conflicts between these two long-time partners. If relations between them can be seen on the one hand as "extraordinary" because of their sharing of common values and objectives, they can also be considered as "ordinary" inasmuch that both do not seem oblivious to resort to geo-economic violent measures. This paper will examine the nature of Euro-Canadian relations and their recent orientations and identify some of the factors underlying their evolution in order to assess whether these special relationships will be maintained as well as their capacity to influence world events.
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Although Renaissance thought did not explore the question of animal intelligence either thoroughly or often, Michel de Montaigne’s essay, The Apology of Raymond Sebond, with its original analysis of this topic, represents an exception as surprising today as it was for readers of the time. In dismantling the belief—already well established in the sixteenth century—that human beings possess reason and absolute truth, Montaigne demonstrates that they are not as wise as they presume to be and that animals are not as dumb and senseless as we like to think. He thus succeeds in relativizing the established hierarchy between the two categories of creatures, which appear situated on a continuum rather than divided by a strict separation.
Keywords: Montaigne, Animal/Humain, Raison
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We describe as orthodox all kinds of logic which absolutely are based on the Aristotelian axiomatics and the principle of bivalence. The orthodox logics give rise to a mode of reasoning which rejects contradiction and in which any concept is strictly and discretely distinguishable from any other concept.A way of thinking presented as an alternative to analytics is dialectics. The latter admits contradiction as a fundamental principle. In line with dialectics, logical systems integrate contradiction. They are the neo-orthodox logics consisting of the set of non-trivial, weakened and paraconsistent logics.With regard to phenomenon perceived as complex changing in time and space, we call into question the strictly absolute character of identity and accept contradiction. We propose three basic principles to establish the logic of complexity: the principles of sameness, differentiality, and relationality. They do not exclude the Aristotelian axiomatics, but only recognize its relevance at a certain level of abstraction. Furthermore, we sketch out a model of statement differentiation according to truth values.
Keywords: Analytique, complexité, contradiction, dialectique, identité, logique, non-trivialité, Analytics, Complexity, Contradiction, Dialectics, Identity, Logic, Non-Triviality