Documents found

  1. 71.

    Article published in Séquences (cultural, collection Érudit)

    Issue 155, 1991

    Digital publication year: 2010

  2. 72.

    Article published in Séquences (cultural, collection Érudit)

    Issue 161, 1992

    Digital publication year: 2010

  3. 74.

    Leclerc, Suzanne

    Trente ans

    Article published in Nuit blanche, le magazine du livre (cultural, collection Érudit)

    Issue 126, 2012

    Digital publication year: 2012

  4. 75.

    Pellerin, Gilles

    Présentation

    Article published in Nuit blanche (cultural, collection Érudit)

    Issue 28, 1987

    Digital publication year: 2010

  5. 76.

    Article published in Revue internationale de l'économie sociale (scholarly, collection Érudit)

    Issue 344, 2017

    Digital publication year: 2017

  6. 77.

    Article published in Recherches féministes (scholarly, collection Érudit)

    Volume 12, Issue 1, 1999

    Digital publication year: 2005

    More information

    Social policies represent a major question for the transformations at stake in Central and Eastern Europe, since ten years. In a gender perspective, they are doubly important as they contribute to define the profile of citizenship, and thus the statute of individuals within society. The article puts into light a number of changes in comparison with past orientations and underlines that a bit everywhere in Eastern Europe, the present policies mean a degradation of daily life for an important majority of women, in the light of what has happened more specifically in Poland, Hungary and Bulgaria, this paper tries to evaluate the weight of state intervention and the impact of social policies in terms of practices and representations.

  7. 78.

    Article published in L'Annuaire théâtral (scholarly, collection Érudit)

    Issue 47, 2010

    Digital publication year: 2011

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    In Hungary, theater productions of the 1980s favored realism, and even “small” realism. Starting in 1990, the theater underwent a decisive change. With the advent of political freedom, the theater is bound to redefine its mission. The reinterpretation of the classics, and the extension of neo-naturalism, call for the constant renewal of the forms and styles of mise-en-scène as it moves closer to postmodern trends. This artistic renewal will result in the implication of a new generation of directors, of creators whose common objective is to reassess the relationship between text and mise-en-scène.

  8. 80.

    Article published in Études internationales (scholarly, collection Érudit)

    Volume 21, Issue 2, 1990

    Digital publication year: 2005