Documents found
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351.More information
Keywords: transmission patrimoniale, humanisme numérique, lecture, jeux vidéo
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352.More information
In 2017, I taught an Introduction to Digital Humanities course for undergraduate students at the University of Toronto. The course's unifying theme was banned books. What moved me to focus the course in this way was the illegal typewriter that lived under my childhood bed: I grew up in formerly communist Eastern Europe, where typewriters were tightly controlled by the government. Yet my family owned an illegal, unregistered typewriter, hidden under my bed behind the off-season clothes, because they saw the ability to write and disseminate one's thoughts as a technology of survival.
Keywords: banned books, censorship, digital humanities, digital pedagogy, introduction to digital humanities, undergraduate learning, rare books
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353.More information
At the crossroads of cultural sociology, musicology and fan studies, this article investigates opera fan communities in the digital age. This research, carried out between 2019 and 2023, employs a qualitative and comparative methodology combining digital ethnography with on-site participant observation in opera houses. The main case studies are the Teatro alla Scala in Milan and the Metropolitan Opera in New York.
Keywords: ère numérique, mélomane, opéra, digital age, fan, opera, opera lover
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354.More information
Keywords: Perception, image, ville hôte, méga-événement sportif, transfert d'image
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355.
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356.More information
Contemporary theoretical trends in Adaptation Studies and Translation Studies (Aragay 2005; Catrysse 2014; Milton 2009; Venuti 2007) envisage synergies between the two areas that can contribute to the sociocultural and artistic value of adaptations. This suggests the application of theoretical insights derived from Translation Studies to the adaptation of novels for the screen (i.e., film adaptations). It is argued that the process of transposing a novel into a filmic product entails an act of bidirectional communication between the book, the novel and the involved contexts of production and reception. Particular emphasis is placed on the role that context plays in this communication. Context here is taken to include paratextual material pertinent to the adapted text and to the film. Such paratext may lead to fruitful analyses of adaptations and, thus, surpass the myopic criterion of fidelity which has traditionally dominated Adaptation Studies. The analysis uses examples of adaptation shifts (i.e., changes between the source novel and the film adaptation) from the film P.S. I Love You (LaGravenese 2007), which are examined against interviews of the author, the director and the cast, the film trailer and one film review.
Keywords: adaptation, traduction, contexte, paratexte, interventions adaptatives, adaptation, translation, context, paratext, adaptation shifts, adaptación, traducción, contexto, paratexto, cambios de adaptación
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357.More information
Keywords: Communication in healthcare, Healing, Whole Person Care, Empathy, Personal reflection, Storytelling, Suffering, Trauma-informed care, Abuse, Psychiatry
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358.More information
Now considered part of the international management system, diaspora networks facilitate the dissemination of home country brands abroad and market entry into foreign countries. However, the possibility of more broadly engaging members of the diaspora in co-creating home country brand value remains underexplored. Therefore, this exploratory study adopts a qualitative longitudinal approach to examine how a new brand in a developing country can benefit from the value co-creation potential of a diaspora network. The findings show how members of the diaspora act as volunteers who provide unpaid work for the brand.
Keywords: brand volunteers, diaspora, digital platforms, value co-creation, co-création de valeur, diaspora, plateformes digitales, volontaires de marque, diáspora, plataformas digitales, co-creación de valor, voluntarios de marca
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359.
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