Documents found
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2171.
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2172.More information
Interview with Maryvonne Kendergi by Iannis Xenakis in July 1977, at the Faculty of Music of the Université de Montréal. A videotape recording of this interview is held by the Fonds Maryvonne Kendergi - Archives UdeM, which has kindly authorized its use for transcription and diffusion, along with Mâkhi Xenakis. A digitization of the video archive is available on the journal's website.
Keywords: Maryvonne Kendergi, Iannis Xenakis, Montréal, histoire, pédagogie
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2173.More information
AbstractLos Angeles is a major city in the international space of the Armenian diaspora. Composed of members native to various nation-states, the Los Angeles Armenian community is pluralist and is organised in a number of urban nuclei. Within this spatial and cultural mosaic, one observes tension between a fragmented and non-centered structure and a desire, expressed mainly by the elites, to create a showcase-center. Between unity and multiplicity, centrality and fragmentation, the Armenian community is characterized by relations of domination and power that are expressed in spatial terms. The case of Little Armenia, whose name indicates a center, will be examined so as to point out its attributes of both center and periphery. The ambivalence of this space is reveals that of the community, a result of its complex immigration history.
Keywords: Ville, diaspora, centre/périphérie, Los Angeles, Arméniens, City, diaspora, center/periphery, Los Angeles, Armenians
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2174.More information
In this article, the author seeks to underline the relationships between programmatic music's core principles, the translation of art into life, and different methods of art production in the 20th and 21st centuries. She examines these interdisciplinary practices through music compositions and visual art ranging from the historical avant-garde to the post-conceptual period.
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2175.More information
Abstract This article deals with the imageries of the voice by means of an important character of the contemporary novel, the scientist, and his laboratory. This study focuses specifically on two very different novels, in order to point out how the imagery of the telephone can be very much contrasted. On the one hand, Châteaux de la colère by Alessandro Baricco, which introduces a character named Pekisch, a sort of scientist, a strange experimenter who created a “telephone” (named “logophore”) in the 19th century. On the other hand, Le premier cercle by Soljénitsyne, in which an important part of the action takes place in two laboratories of the Institute of Scientific Research in Mavrino.
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