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733.More information
This article aims to situate Québec theatre practices characterized by polyphony and heteromorphy relative to the types of enunciation they privilege and the strategies adopted by the creators regarding a play's intended audience. These practices demonstrate, notably, that theater discourse tends to be open to multiple enunciators - including within a same psyche – on one end of the communication scheme and, on the other, to induce an increasingly specific reception from the spectator. This striking desire on the part of creators to make way for the Other at both ends of theater communication prompts the author of this study to state that we are in the presence of an aesthetics of divergence.
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734.
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736.More information
The possession of nuclear weapons is not to be considered as an irreversible phenomenon. Taking this idea as a point of departure, we have decided to investigate not why France has acquired nuclear weapons but instead the reason for which she retains them. More specifically, our attention was directed to the years 1990-2000. During those years, a relatively important nuclear strategic debate occurred. It was an opportunity for strategists to reaffirm how useful the weapon is. Trough this debate, strategists described an uncertain international context that they consider unfit to question the relevance of the nuclear armament.
Keywords: France, dissuasion nucléaire, après-guerre froide, pensée stratégique, France, nuclear strategy, post cold war, strategic thinking