Canadian University Music Review

Volume 17, numéro 2, 1997

Sommaire (19 articles)

  1. Self-Similarity and Compositional Strategies in the Music of Milton Babbitt
  2. Une nouvelle découverte à Montréal dans la bibliothèque musicale de Jean Girard : des œuvres vocales rares de Lebègue, de Bacilly et de Du Mont
  3. Mrs. J.B. Carmichael and the Edmonton Civic Opera Society, 1935-1971
  4. Richard Strauss à l’oeuvre : les premières esquisses pour Salome
  5. Completion and Antithesis in Piano Sonata No. 6 by S.C. Eckhardt-Gramatté

Book Reviews  / Comptes rendus

  1. Colin P. Lawson. Mozart: Clarinet Concerto. Cambridge Music Handbooks. Cambridge: Cambridge University Press, 1996. xi, 111 pp. ISBN 0-521-47384- 5 (hardcover), ISBN 0-521-47929-0 (softcover)
  2. Barrie Martyn. Nicolas Medtner: His Life and Music. Aldershot, England: Scolar Press, 1995. 274 pp. ISBN 0-85967-959-4 (hardcover)
  3. R. Larry Todd, ed. Schumann and His World. Princeton: Princeton University Press, 1994. xi, 396 pp. ISBN 0-691-03698-5 (softcover)
  4. John C. Tibbetts, ed. Dvořák in America. Portland: Amadeus Press, 1993. x, 447 pp. ISBN 0-931340-56-X (hardcover) / Michael Beckerman, ed. Dvořák and his World. Princeton: Princeton University Press, 1993. x, 284 pp. ISBN 0-691-00097-2 (softcover) / David R. Beveridge. Rethinking Dvořák: Views from Five Countries. Oxford: Clarendon Press, 1996. xi, 305 pp. ISBN 0-19-816411-4 (hardcover)
  5. R.M.W. Dixon and Grace Koch. Dyirbal Song Poetry: The Oral Literature of an Australian Rainforest People. St. Lucia: University of Queensland Press, 1996. 367 pp. ISBN 0-7022-2593-2 (softcover)
  6. Melvin P. Unger. Handbook to Bach's Sacred Cantata Texts: An Interlinear Translation with Reference Guide to Biblical Quotations and Allusions, Lanham, Md. and London: Scarecrow Press, 1996. xvi, 776 pp. ISBN 0-8108- 2979-7 (hardcover)
  7. John Warrack. Richard Wagner: Die Meistersinger von Nürnberg. Cambridge Opera Handbooks. Cambridge: Cambridge University Press, 1994. x, 175 pp. ISBN 0-521-44444-6 (hardcover), 0-521-44895-6 (softcover) / Michael Tanner. Wagner. Princeton: Princeton University Press, 1996. x, 236 pp. ISBN 0-691-01162-1 (hardcover). Published in Canada and the United Kingdom by Harper Collins
  8. David Kimbell. Italian Opera. National Traditions of Opera, no. 2. General editor: John Warrack. Cambridge: Cambridge University Press, 1994. xviii, 684 pp. ISBN 0-521-46643-1 (softcover)
  9. Marie-Thérèse Lefebvre. Jean Vallerand et la vie musicale du Québec, 1915-1994. Montréal : Éditions du Méridien, 1996. 109 p. ISBN 2-89415-170-5
  10. Hans Keller. Essays on Music. Edited by Christopher Wintle, with Bayan Northcott and Irene Samuel. Cambridge: Cambridge University Press, 1994. xx, 269 pp. ISBN 0-521-46216-9 (hardcover) / Hans Keller. Three Psychoanalytical Notes on "Peter Grimes." Edited by Christopher Wintle. London: Institute of Advanced Musical Studies in association with The Britten-Pears Library, 1995. 51 pp. ISBN 1-897747-02-0 (softcover) / Hans Keller and Christopher Wintle. Beethoven's String Quartets in F minor, op. 95, and C-sharp minor, op. 131: Two Studies. Nottingham: University of Nottingham, 1995. 55 pp. ISBN 0-9518354-2-4 (softcover)

Record Reviews  / Comptes rendus de disques

  1. Scriabin: The Complete Piano Sonatas. Marc-André Hamelin, piano. Hyperion CDA 67131/2 [DDD], produced by Andrew Keener / Beethoven: Diabelli Variations. William Kinderman, piano. Hyperion CDA 66763 [DDD], produced by Marc Seiffge.

Conference Reports  / Comptes rendus de colloques

  1. International Conference on Music in Eighteenth-Century Britain; The Canadian Society for Eighteenth-Century Studies / La société canadienne d’étude du dix-huitième siècle
  2. "Johann Friedrich Fasch und sein Wirkin für Zerbst," International Scholarly Conference on the Occasion of the Fifth International Fasch Festival, Zerbst, Germany, 18 and 19 April 1997
  1. Contributors / Collaborateurs