
Volume 39, 2020 Sous la direction de Christina Ionescu et Christina Smylitopoulos
Sommaire (12 articles)
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Introduction: Wonder in the Eighteenth Century / Introduction : l’émerveillement au dix-huitième siècle
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On Being Difficult: The Pursuit of Wonder
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Soaring Imaginations: The First Montgolfier Ballooning Spectacle at Versailles in Word and Image
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“Our Modern Priapus”: Thauma and the Isernian Simulacra
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Eighteenth-Century Magazine Illustration and Copper Plates Coloured from Nature
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From Moated Castle to Modern Parlour: Anna Letitia Barbauld’s Theorization of Wonder, Women, and the Novel
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Music, Fable, and Fantasy: Thomas D’Urfey’s Wonders in the Sun and the Eighteenth-Century Political Animal
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“Every Shrub Seemed Pregnant with Her Charms”: A Woman, Her Wonder, and the Ohio Country in Gilbert Imlay’s The Emigrants
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No Master of Himself: Pope and the Response of Wonder
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Wonder, Politics, and the Founding of Civilizations in Gravina’s Della Ragione Poetica and Vico’s Scienza Nuova
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Travel as Education: Gulliver the Traveller and the Potential Corruptions of Seeking Betterment Abroad
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Banished Bodies and Spectral Identities: The Aging Actress in William Hazlitt’s Retirement Essays
Tous droits réservés © Canadian Society for Eighteenth-Century Studies / Société canadienne d'étude du dix-huitième siècle, 2020