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Canadian University Music Review
Revue de musique des universités canadiennes

Number 3, 1982

Table of contents (25 articles)

  1. Editorial / Éditorial

    Alan M. Gillmor and Jean-Jacques Nattiez

    pp. vii–x

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  2. Introduction to the Queen's Symposium on Musical Perception Held at Queen's University, Kingston, Ontario, July 14-16, 1981

    Lola L. Cuddy and David R. Keane

    pp. xi–xiii

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  3. Beginnings and Endings in Western Art Music

    Jonathan D. Kramer

    pp. 1–14

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  4. Exploring the Sensitivity to Structure in Music

    Annabel J. Cohen

    pp. 15–30

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  5. Analyzing Spectra That Won't Stand Still

    Albert S. Bregman

    pp. 31–48

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  6. Acoustical Factors in Subjective Tests

    Floyd E. Toole

    pp. 49–66

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  7. The Musical Control of Sound Color

    A. Wayne Slawson

    pp. 67–79

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  8. Some Perceptual Aspects of Timbre

    Campbell L. Searle

    pp. 80–101

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  9. Factors of Musical Perception: Three Points of View

    Ireneus Zuk, David Keane and Lola Cuddy

    pp. 102–122

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  10. L’Énigme de la première édition (1624) des Capricci de Girolamo Frescobaldi

    Étienne Darbellay

    pp. 123–157

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  11. Petite histoire de mon théâtre musical

    Michel Puig

    pp. 158–169

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  12. Situation de la synthèse sonore par ordinateur

    Denis Lorrain

    pp. 170–202

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Reviews / Comptes rendus

  1. About Canadian Music: the P.R. Success / Helmut Kallmann, Gilles Potvin, and Kenneth Winters, eds. Encyclopedia of Music in Canada. Toronto, University of Toronto Press, 1981, xxix, 1076 pp.

    Gaynor Jones

    pp. 203–211

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  2. Clifford Ford. Canada's Music: An Historical Survey. Agincourt, Ontario: GLC Publishers Limited, 1982, viii, 278 pp. / Ian L. Bradley. Twentieth Century Canadian Composers, Vol. II. Agincourt, Ontario: GLC Publishers Limited, 1982, xii, 281 pp.

    Elaine Keillor

    pp. 211–216

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  3. Charles M. Keil. Tiv Song. Chicago: University of Chicago Press, 1979, xiii, 301 pp.

    John Shepherd

    pp. 216–221

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  4. Iain Fenlon, ed. Early Music History I: Studies in Medieval and Early Modern Music. Cambridge: Cambridge University Press, 1981, vii, 381 pp.

    Bryan Gillingham

    pp. 222–225

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  5. Wyschnegradsky: Two Concert Etudes, Op. 19: Two Fugues, Op. 33; Integrations, Op. 49. Mather: Sonata for Two Pianos. Hambraeus: Carillon for Two Pianos. Pierrette LaPage and Bruce Mather, duo-pianists. McGill University Records 77002

    Stephen W. Ellis

    pp. 225–226

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  6. Bach: Sonatas for Viola da Gamba and Harpsichord, BWV 1027-9. Mary Cyr, gamba; John Grew, harpsichord. McGill University Records, 78007, produced by Donald Steven

    Edward Strickland

    p. 227

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  7. Hambraeus: Intrada: "Calls." Tornado. Tides. McGill University Records 76001

    John Ditsky

    p. 227

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  8. Patriquin: Hangman's Reel—Ballet (With Music for Fiddle and Piano). Jean Carignan, fiddle; Gilles Losier, piano; Orchestra of Les Grands Ballets Canadiens conducted by Vladimir Jelinek. McGill University Records 80010), produced by Donald Steven

    John Ditsky

    pp. 227–228

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  9. Schubert: Variations on "Trockene Blumen" D. 802. Frank: Sonata for Flute and Piano. Jeanne Baxtresser, flute: Paul Helmer, piano. McGill University Records 77005

    Paul Turok

    p. 228

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  10. Piston: Tunbridge Fair. Cowell: Little Concerto for Piano and Band. Bencriscutto: Symphonic Jazz Suite. Lanza: Eidesis IV for Wind Ensemble and Electronic Sounds. McGill Wind Ensemble conducted by Robert Gibson. McGill University Records 79008

    Paul Snook

    pp. 229–230

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  11. The Mount Royal Brass Quintet. The Mount Royal Brass Quintet. McGill University Records 77004, produced by Donald Steven. Scheidt: Canzon "Bergamasca." Bach: The Art of Fugue: Contrapunctus I. Ewald: Quintet for Brass, Op. 5. Arnold: Quintet for Brass. Jones: Passacaglia and Fugue for Brass Quintet

    John Ditsky

    pp. 230–231

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  12. Percussion. The McGill Percussion Ensemble. McGill University Records 77003, produced by Donald Steven. François Morel: Rhythmologue. Alcides Lanza: Sensors I. Serge Garant: Circuit I. Andrew Culver: Signature

    John Ditsky

    p. 231

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  1. Contributors / Collaborateurs

    pp. 232–234

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