Recherches sémiotiques

Volume 31, Number 1-2-3, 2011 Cinéma & Technologie Cinema & Technology

Table of contents (13 articles)

  • Cinéma et technologie : présentation / Cinema and Technology: Presentation
  • Recadrages : pour une pragmatique historique du dispositif cinématographique
  • What Is Left of the Cinematic Apparatus, or Why We Should Retain (and Return to) It
  • The Inevitability of Teleology: From le Dispositif to Apparatus Theory to Dispositifs Plural
  • Pulling Apart the Apparatus
  • Retrograde Technicity and the Cinematic Avant-Garde: Towards a New Dispositif of Production
  • Théories-manifestes des cinéastes et artistes face au numérique
  • The Cinema of Exposure: Spiritualist Exposés, Technology, and the Dispositif of Early Cinema
  • Technique/Discourse: When Bergson Invented His Cinematograph
  • Motion/Performance Capture and The Afterlife of The Index. A Reconsideration of André Bazin’s “Myth of Total Cinema”
  • The Passion of the Digital: the Ontology of the Photographic Image in the Age of New Media
  • Cinema, the (Digital) Machine of the Imaginary: Revisiting Edgar Morin in the Quest to Create a Theory of Cinema in the Digital Age
  • Paradigmes théoriques et innovation technologique
  • All Rights Reserved © Association canadienne de sémiotique / Canadian Semiotic Association, 2014