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Keywords: Crise d’octobre
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How can one study the fetichism of a myth, nurtured more by legends than actual fact, when it takes an iconographic form which conceals its sources through the multiplication of sequences deliberately made incomprehensible ? By drawing the mosaic of available sources, of course, but also by allowing for the confrontation of postmodernist discourse with the 17th century's epitaphs, which celebrated the vertigo of the actor trapped in his own interpretations. It is through this confrontation that the true stakes surrounding La Mort de Molière can be illustrated. Not only filmed, this death was also acted out by Robert Wilson who exorcizes the historical death of an actor, unrepentant victim of his interpretation, by engraving on a tombstone the eternity of all actors.