Documents found

  1. 11.

    Vincelette, Michèle

    Publications

    Article published in Jeu (cultural, collection Érudit)

    Issue 98, 2001

    Digital publication year: 2010

  2. 12.

    Article published in Séquences (cultural, collection Érudit)

    Issue 286, 2013

    Digital publication year: 2013

  3. 13.

    Article published in Nuit blanche (cultural, collection Érudit)

    Issue 51, 1993

    Digital publication year: 2010

  4. 14.

    Jenniss, Dave

    Esprit animal

    Article published in Jeu (cultural, collection Érudit)

    Issue 177, 2021

    Digital publication year: 2021

  5. 15.

    Article published in Jeu (cultural, collection Érudit)

    Issue 61, 1991

    Digital publication year: 2010

  6. 16.

    Article published in Nuit blanche, magazine littéraire (cultural, collection Érudit)

    Issue 157, 2020

    Digital publication year: 2019

    More information

    Keywords: Crise d’octobre

  7. 17.

    Vincelette, Michèle

    Publications

    Article published in Jeu (cultural, collection Érudit)

    Issue 95, 2000

    Digital publication year: 2010

  8. 18.

    Féral, Josette

    Avignon 93

    Article published in Jeu (cultural, collection Érudit)

    Issue 70, 1994

    Digital publication year: 2010

  9. 19.

    Article published in Liaison (cultural, collection Érudit)

    Issue 116, 2002

    Digital publication year: 2010

  10. 20.

    Article published in Protée (scholarly, collection Érudit)

    Volume 27, Issue 1, 1999

    Digital publication year: 2005

    More information

    How can one study the fetichism of a myth, nurtured more by legends than actual fact, when it takes an iconographic form which conceals its sources through the multiplication of sequences deliberately made incomprehensible ? By drawing the mosaic of available sources, of course, but also by allowing for the confrontation of postmodernist discourse with the 17th century's epitaphs, which celebrated the vertigo of the actor trapped in his own interpretations. It is through this confrontation that the true stakes surrounding La Mort de Molière can be illustrated. Not only filmed, this death was also acted out by Robert Wilson who exorcizes the historical death of an actor, unrepentant victim of his interpretation, by engraving on a tombstone the eternity of all actors.