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The current vitality of the comic art milieu in Quebec is related both to the appearance of new authors and to the consolidation of their work through new editorial formats in which their talents can develop. The recognition of this alternative way, more or less consciously chosen at a time when the traditional model (44-page Franco-Belgian album in colour) is still in use and a new model (identified with the “graphic novel”) is being incorporated into the commercial channels of the book trade, is encouraging authors to develop a reflexive discourse in which the visual creation of their panels is justified according to various formal parameters that are acknowledged to enhance the work's storyline, as well as its narrative and expressive force. However, the range of these parameters is orchestrated according to an equilibrium that is continuously changing, depending on the project currently being carried out and on an underlying aesthetic position developed from one project to the next. Through the works, interviews, and statements of position of authors who have chosen this alternative way—Diane Obomsawin, Jimmy Beaulieu, Michel Rabagliati, and Zviane—the author provides an outline of their metadiscourse, in order to identify some of the aesthetic issues seen as relevant by well-known practitioners of comic art in Quebec today.
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514.More information
Keywords: Co-enseignement, École inclusive, Enseignement spécialisé, Mathématiques, Didactique
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516.More information
The fascination surrounding a successful artwork is linked to the fact it faces the viewer to unknown aspects of his/her own psychic life. The same applies to the comics Iron Man. Behind the armour is hiding a man caught up in the traumatic incidences of life. The hero demonstrates a psychic weakness which, despite being deep, is, however, showing universal aspects.The analysis of his misfortunes reveals a narcissistic disorder. The article intends to set out the identity confusion the Marvel's protagonist is trapped in while highlighting the addictive troublesome linking him to his high-tech armour. This article also seeks to attest the fact the symbiosis between Tony Stark and Iron Man is anticipating the evolution of our behaviour with regard to new technologies.To this end, the authors are recalling the episodes of the series. Through the analysis of the confrontational dialogue the hero is maintaining with his iron armour, they explore how the internal experiment related to the sense of identity disorder is figured out. Thus, going through the key moments of the saga, the authors raise the ambiguity of his hero. The metapsychological analysis of the actions undertaken by Iron Man reflects a little-known facet of his personality, revealing a character more tormented than he really looks. However, the point is not to “treat” a fictional man, but to observe how he can help us to understand the internal behaviour of our patients, and also our own.The Faustian drama this comic leads to is hence understood as a living testimony of our own psychic conflicts. Furthermore, the analysis gives rise to a questioning as to the risk of identity confusion the technological progress can create at a time when the Human is more and more depending on the machines he creates himself.
Keywords: identité, double, addiction à la technologie, psychose, image, identity, double, addiction to technology, psychosis, picture
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