Canadian University Music Review

Volume 16, Number 2, 1996

Table of contents (18 articles)

  1. Errata for Canadian University Music Review
  2. Perceptual Aspects of Tuning in a Balinese Gamelan Angklung for North American Students
  3. Observations sur le développement technique et stylistique de György Ligeti au début des années 1950
  4. Sonic and Parametrical Entities in Tetras: An Analytical Approach to the Music of Iannis Xenakis
  5. Aesthetic Imagination in the Literacy-based Music Classroom: Implications for School Policy and Practice

Conference Reports  / Comptes rendus de colloques

  1. The Canadian Society for Eighteenth-Century Studies / La société canadienne d’étude du dix-huitième siècle; Ninth International Congress on the Enlightenment

Reviews  / Comptes rendus

  1. Introduction to Man and Music/Music and Society Series, Part II
  2. Iain Fenlon, ed. The Renaissance: From the 1470s to the End of the 16th Century. Music and Society. Englewood Cliffs, N.J.: Prentice Hall, 1989. x, 418 pp. ISBN 0-13-773409-3 (hardcover), ISBN 0-13-036161-5 (softcover)
  3. Neal Zaslaw, ed. The Classical Era: From the 1740s to the End of the 18th Century. Man and Music. Englewood Cliffs, NJ.: Prentice-Hall, 1989. x, 416 pp. ISBN 0-13-136920-2 (hardcover), ISBN 0-13-136938-5 (softcover)
  4. Alexander Ringer, ed. The Early Romantic Era: Between Revolutions, 1789 and 1848. Music and Society. Englewood Cliffs, N.J.: Prentice Hall, 1991. x, 325 pp. ISBN 0-13-222399-6 (hardcover), ISBN 0-13-222332-5 (softcover)
  5. Robert P. Morgan, ed. Modern Times: From World War I to the Present. Englewood Cliffs, N.J.: Prentice Hall, 1994. x, 464 pp. ISBN 0-13-590134-0 (hardcover), ISBN 0-13-590159-6 (paperback)
  6. Élisabeth Gallat-Morin. Jean Girard, musicien en Nouvelle-France, Bourges, 1696–Montréal, 1765. Paris : Les éditions du Septentrion, 1993. 352 p. ISBN 2-921114-87-9
  7. Allan F. Moore, Rock, the Primary Text: Developing a Musicology of Rock. Popular Music in Britain. Philadelphie : Open University Press, 1993. ix, 227 p. ISBN 0-335-09787-1 (couverture rigide), 0-335-09786-3 (couverture molle). Exemples musicaux ; glossaire (p. 198–201) ; bibliographie (p. 202–9) ; discographie (p. 210–16) ; appendice (p. 217–18) ; index (p. 219–27)
  8. Beverley Diamond and Robert Witmer, eds. Canadian Music: Issues of Hegemony and Identity. Toronto: Canadian Scholars' Press, 1994. xi, 615 pp. ISBN 1-55130-031-1 (softcover)
  9. Joseph Kerman. Write All These Down: Essays on Music. Berkeley: University of California Press, 1994. xii, 359 pp. ISBN 0-520-08355-5 (hardcover)
  10. Ezra Schabas. Sir Ernest MacMillan: The Importance of Being Canadian, Toronto, Buffalo, London: University of Toronto Press, 1994. 374 pp. ISBN 0-8020-2849-7 (hardcover) / Elaine Keillor. John Weinzweig and His Music: The Radical Romantic of Canada. Composers of North America, no. 15. Metuchen, N.J., and London: The Scarecrow Press, 1994. 317 pp. ISBN 0-8108-2849-9 (hardcover)

Record Reviews  / Comptes rendus de disques

  1. Thalberg Revisited / The Piano Music of Sigismund Thalberg, Ian Hominick, piano. Titanic Records Ti-227 [DDD], produced by Jeanne Lippincott / Thalberg: Fantasies on Operas by Verdi, Rossini and Bellini. Francesco Nicolosi, piano. Marco Polo 8.223367 [DDD], produced by Tamás Benedek
  1. Contributors / Collaborateurs