Canadian University Music Review
Revue de musique des universités canadiennes

Volume 16, numéro 2, 1996

Sommaire (18 articles)

  1. Errata for Canadian University Music Review
  2. Perceptual Aspects of Tuning in a Balinese Gamelan Angklung for North American Students
  3. Observations sur le développement technique et stylistique de György Ligeti au début des années 1950
  4. Sonic and Parametrical Entities in Tetras: An Analytical Approach to the Music of Iannis Xenakis
  5. Aesthetic Imagination in the Literacy-based Music Classroom: Implications for School Policy and Practice

Conference Reports / Comptes rendus de colloques

Reviews / Comptes rendus

  1. Introduction to Man and Music/Music and Society Series, Part II
  2. Iain Fenlon, ed. The Renaissance: From the 1470s to the End of the 16th Century. Music and Society. Englewood Cliffs, N.J.: Prentice Hall, 1989. x, 418 pp. ISBN 0-13-773409-3 (hardcover), ISBN 0-13-036161-5 (softcover)
  3. Neal Zaslaw, ed. The Classical Era: From the 1740s to the End of the 18th Century. Man and Music. Englewood Cliffs, NJ.: Prentice-Hall, 1989. x, 416 pp. ISBN 0-13-136920-2 (hardcover), ISBN 0-13-136938-5 (softcover)
  4. Alexander Ringer, ed. The Early Romantic Era: Between Revolutions, 1789 and 1848. Music and Society. Englewood Cliffs, N.J.: Prentice Hall, 1991. x, 325 pp. ISBN 0-13-222399-6 (hardcover), ISBN 0-13-222332-5 (softcover)
  5. Robert P. Morgan, ed. Modern Times: From World War I to the Present. Englewood Cliffs, N.J.: Prentice Hall, 1994. x, 464 pp. ISBN 0-13-590134-0 (hardcover), ISBN 0-13-590159-6 (paperback)
  6. Élisabeth Gallat-Morin. Jean Girard, musicien en Nouvelle-France, Bourges, 1696–Montréal, 1765. Paris : Les éditions du Septentrion, 1993. 352 p. ISBN 2-921114-87-9
  7. Allan F. Moore, Rock, the Primary Text: Developing a Musicology of Rock. Popular Music in Britain. Philadelphie : Open University Press, 1993. ix, 227 p. ISBN 0-335-09787-1 (couverture rigide), 0-335-09786-3 (couverture molle). Exemples musicaux ; glossaire (p. 198–201) ; bibliographie (p. 202–9) ; discographie (p. 210–16) ; appendice (p. 217–18) ; index (p. 219–27)
  8. Beverley Diamond and Robert Witmer, eds. Canadian Music: Issues of Hegemony and Identity. Toronto: Canadian Scholars' Press, 1994. xi, 615 pp. ISBN 1-55130-031-1 (softcover)
  9. Joseph Kerman. Write All These Down: Essays on Music. Berkeley: University of California Press, 1994. xii, 359 pp. ISBN 0-520-08355-5 (hardcover)
  10. Ezra Schabas. Sir Ernest MacMillan: The Importance of Being Canadian, Toronto, Buffalo, London: University of Toronto Press, 1994. 374 pp. ISBN 0-8020-2849-7 (hardcover) / Elaine Keillor. John Weinzweig and His Music: The Radical Romantic of Canada. Composers of North America, no. 15. Metuchen, N.J., and London: The Scarecrow Press, 1994. 317 pp. ISBN 0-8108-2849-9 (hardcover)

Record Reviews / Comptes rendus de disques

  1. Contributors / Collaborateurs

Anciens numéros de Canadian University Music Review / Revue de musique des universités canadiennes