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This text is the preface of the dossier “Facebook. L'école des fans”. The dossier proposes a selction of the most important published and unpublished contributions of Gérard Wormser on the political and philosophical issues of digital culture.
Keywords: réseaux sociaux, Gérard Wormser, social networks, Gérard Wormser
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Taking the photographic image as its starting point, this article examines artworks that exist not through a single medium, but through a complex network of movements, images, resonances, and repetitions, which circulate and multiply, opening up a peculiar chronogeography. Questions of mediality, temporality, and sociotechnical flux, which contribute to turning these artistic propositions into networked entities combining presence and the present (tense), are thus explored and exemplified through the artworks of Robert Smithson's Spiral Jetty (1970), Nancy Holt's Sun Tunnels (1976), and Andreas Rutkauskas's Virtually There (2009–).