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AbstractThe last two full length films by Chinese filmmaker Wong Kar-Wai, In the Mood for Love and 2046, can be appreciated as a unique narrative poem, continuing from one film to the other. This continuity isn't presented as a sequel in the American tradition, but as the pursuit of a reflection that incessantly brings the artist back to the figures he had previously created. This mannered diptych relates the story of an unconsummated love and the obsession of its memory: an impossible past love leads to a series of possible affairs of which the past love tends to determine the outcome. The “aesthetic fiction” is the concept born from the intimate relationship between the work of fiction, the production of reality and the form of a memory.
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288.More information
Research framework : This article expands our knowledge of the individualization of privacy as an explanation for conjugal infidelity. Its analysis takes into account social circles where the upper-intermediate class of the "authentic self" and gender representations are revealed.Objectives : The main objective of this work is to show how the individualization of private lives and the romantic love model fosters a double-life based on a traditional family model which is largely borne by men.Methodology : We conducted thirty-nine recorded biographical interviews ranging in length from one to three hours. We interviewed individuals who have, or had, regular extra-marital relationships for more than two years. An analysis of blogs was also conducted.Results : The social logic of extramarital affairs is close in nature to divorce in terms of age groups and social surroundings. However, the results of extra-marital affairs characterized by sustained clandestine liaisons are singular when it comes to gender.Conclusion : The quest for an "authentic self" in clandestine relationships is real for both men and women. However, the latter adhere more to the contemporary model of romantic love while men prefer the familial and traditional model–meaning the indivisibility of the family. In relationships which last over a period of many years, women's representations are closer to those of men.Contribution : This article contributes to expanding the rare analyses of conjugal infidelity. It shows how a gendered individualization prevails as a "self-quest" in extra-marital love affairs.
Keywords: extraconjugalité, famille, individualisation, genre, conjugal infidelity, family, individualization, gender
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290.More information
Both a composer and a researcher, Manoury took an early interest in real-time interactions between acoustic instruments and new technologies in computer music, as developed by the Institut de recherche et coordination acoustique/musique (Ircam) since the 1980s. After Répons (original version in 1981) by Pierre Boulez, there was a need to break the rigidity of the electronic tool and explore beyond the conventional instrument/computer dialogue to develop a mutually beneficial symbiosis, malleable in concert, and constantly renewable, in the style of a concert performance. After the instrument, the composer had to quickly consider the issue of the voice. Starting in 1993, Manoury worked to capture and then digitally process voice in real-time, first by analyzing the acoustic components of the sound, and then by manipulating these components. The melody cycle En écho (1993-1994) for soprano and electronics was the first stage in this reflection, as part of experimental research.