Documents found
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92.More information
Are self-run artist centers truly a tool for political action (or resistance) in Quebec? Are they compatible with creative impulses, are they threatened in this era of the dematerialization of works, in favour of a flow of communication operated by the digital shift? If so, does this mean that the emergence of digital dissolves any form of local political connections? This is what this text intends to explore, by paying attention to the recent mutations observed in cultural policies and creation. It should appear that the management process, far from being a hindrance to creation, can be an extension of it, since it mobilizes the same skills required to succeed as an artist.
Keywords: autogestion, autogouvernement, art engagé, artiste, activisme, Québec, self-management, self-government, committed art, artist, activism, Quebec
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94.More information
Women's contribution to health and care production has been in the past, and remains in society today, of an essential and universal nature, regarding two primordial concerns: care for the body and support through mutual aid and accompaniment. The current orientations of western healthcare systems, including an ideological promotion of health and autonomy that results in a diminishment of certain values, especially those of interdependence, compromise the future of care to the extent that there is no care without the simultaneous existence of dependence and interdependence. Care represents a sort of ritual of accompaniment in life's passages, a work of mediation.
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99.More information
This article reflects on thematic quotation from past art-music in contemporary composition, after decades of structuralism and postmodernism, by studying particularly two known composers established in Canada: Michel Gonneville, born in 1950, and Ofer Pelz, born in 1978. Could we still analyse these compositional styles as postmodernism and, if this is not the case anymore, which alternative comes up?
Keywords: emprunt, modernisme, musique contemporaine, postmodernisme, XXIe siècle, borrowing, contemporary music, modernism, postmodernism, 21st century