Documents found
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841.More information
The article continues with the post entitled "Poetic memory or the use of topos "ENFANT ABANDONNE" in Milan Kundera’s The unbearable lightness of being " published on the SATOR research notebook by Madeleine Jeay, in which she shows that Kundera works a topical situation corresponding to a number of topoi listed in SATORBASE as ADOPTER ENFANT TROUVE, DESOBEIR ORDRE DE TROUVER ENFANT, ENLEVER SECRETEMENT ENFANT etc. The article continues this reflection and focusses on the animal topic in the Shah Nameh of Ferdousi, reflecting on the role of the Simorgh (this mythical bird that plays an essential role in Persian culture and that is found in the Manteq-et-their (The dialogue of the birds) of Farid eddine Attar and in the metaphysical and philosophical texts of Avicenna and Sohravardi. In the Shah Nameh the Simorgh rescues Zal, abandoned as a child by his father, King Sam, and raises him until the latter, now an adult, finds his father who grants him the royal filiation. And the child is fed at night by a gazelle. Such topical configurations that could be called ANIMAL SAVES CHILD ABANDONS are very widespread. We question the original scene of a close relationship between human sovereignty and animal sovereignty, the part of sovereignty being equally distributed between man and animal which is here the inseparable adjuvant. The methodological question of topical naming is also addressed.
Keywords: ENFANT ABANDONNE, Abandoned child, Animal Animal saves abandoned child, ANIMAL SAUVE ENFANT ABANDONNE, SHAH NAMEH, Shah Nameh, Topical designation, DENOMINATION TOPIQUE, MOTIFS ET TOPOI, Motives and topoï
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842.More information
This text looks at intermediality (links between arts) as a foundation for narrative music, in a series of eight works entitled Wirkunst. The origins of the Wirkunst stem from other visual arts, literary or cinematographic works. Thus, the first part opens with semiotics theories on which my research is based. Then, I present the “musical interpretation’s grid of artworks” which I use to transform my perception of an artwork toward a musical work. Finally, I propose a definition of musical narrativity inherent to the Wirkunst with an emphasis on the field of perception and, more specifically, their many levels of reading, conceptual and sonorous.
Keywords: Musique, composition, arts, intermédialité, narrativité, perception
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843.More information
The author critically examines all the recordings of works by Claude Vivier. The article also presents a study of the works recorded
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844.More information
Throughout the second half of the twentieth century, musical analysis has turned for structuralist inspiration to linguistic models in order to rejuvenate and make traditional methods more explicit. In this article, which is both a critical bibliography and an epistemological claim, Jean-Jacques Nattiez examines the contexts in which musicology and linguistics intersect. He presents various applications of phonological models, paradigmatic models (with a discussion of the work and legacy of Ruwet), and various descriptive musical grammars of generative thought that have been proposed. He examines works not only from the Western canon but also ethnomusicological and popular music repertoires.
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849.More information
The composer Gilles Tremblay published several texts on his creative reasoning, his aesthetics and his spiritual quest. in addition to these publications, analysis of unpublished archival material reveals the basis for this orientation. His correspondence with Father Paul Vanier, s.j., François Houang, Oratorian and the essayist Pierre Vadeboncoeur demonstrates both his profound faith and social commitment, the two cornerstones of his thought and works.